JHF

The Journal of Historical Fictions

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JHF 3:1, 2020

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Frontmatter

JHF 3:1, 2020, i—iii

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Juliette Harrisson

Editorial:‘Historical Fictions’ When the World Changes

JHF 3:1, 2020, 1—5

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Julie Depriester

John Fowles’s ‘Manchester baby’: forms of radicalism in A Maggot

JHF 3:1, 2020, 6—23

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Erica Tortolani

Troubling Portrayals: Benjamin Christensen’s Häxan (1922), Documentary Form, and the Question of Histor(iography)

JHF 3:1, 2020, 24—41

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JHF 2:1, 2019

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Frontmatter

JHF 2:1, 2019, i—iii

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Lisa Bennett and Kim Wilkins

‘Strange companies’: The Northman in popular historical fiction

JHF 2:1, 2019, 1—17

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Marianne McLeod Gilchrist

Bleedthrough: The Two-Way Traffic between Popular Historiography and Fiction

JHF 2:1, 2019, 18—44

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Juliette Harrisson

Fantastical History: Dreams in The Roman Mysteries

JHF 2:1, 2019, 45—64

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Bryony D. Stocker

Historical Fiction: Towards A Definition

JHF 2:1, 2019, 65—80

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JHF 2:2, 2019

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Frontmatter

JHF 2:2, 2019, i—iii

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Lisa Maurice

From Elitism to Democratisation: A Half-Century of Hercules in Children’s Literature

JHF 2:2, 2019, 81—101

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Catherine Baker

‘I am the voice of the past that will always be’: the Eurovision Song Contest as historical fiction

JHF 2:2, 2019, 102—125

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Ciaran O’Neill and Emma Donoghue

‘The cage of my moment’: a conversation with Emma Donoghue about history and fiction

JHF 2:2, 2019, 126—80

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JHF 1:1, 2017

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Frontmatter

JHF 1:1, 2017, i—iii

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Johanna Huthmacher

Victims, heroes, perpetrators: German art reception and its re-construction of National Socialist persecution

JHF 1:1, 2017, 1—24

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Ruth Knezevich

Curating the past:
Margins and materiality in Sydney Owenson, Lady Morgan’s The Wild Irish Girl

JHF 1:1, 2017, 25—44

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Tarik Ahmed Elseewi

Contentious history in “Egyptian” television: The case of Malek Farouq

JHF 1:1, 2017, 45—64

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Margot Renard

The faces of history. The imagined portraits of the Merovingian kings at the Versailles museum (1837-1842)

JHF 1:1, 2017, 65—88

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Ioulia Kolovou

Masculine crusaders, effeminate Greeks, and the female historian: Relations of power in Sir Walter Scott’s Count Robert of Paris

JHF 1:1, 2017, 89—110

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JHF 1:2, 2017

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Frontmatter

JHF 1:2, 2017, i—iii

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Jeffrey Brassard

Slavophilism, nostalgia and the curse of Western ideas: Reflections on Russia’s past in Alexander Proshkin’s 2006 adaptation of Doctor Zhivago

JHF 1:2, 2017, 111—129

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Julius Redzinski

Making the fiction visible: Even the Rain and cinematic and historiographical discourses about history

JHF 1:2, 2017, 131—147

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Mareike Katharina Schumacher

The efoto-project: Narrative construction of the past and semi-automated data curation

JHF 1:2, 2017, 149—173

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Jake Walters

Fractured places and subjective spaces – Historical objectivity and individual agency in Robert Altman’s McCabe and Mrs. Miller

JHF 1:2, 2017, 175—192

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